After dance classes I would walk back through the city keeping an eye out for reflective surfaces in which I could record myself as part of the urban environment.
In the absence of a mirror, an ordinary selfie would do.
This small performative exercise developed into more involved photo sessions in chosen locations, which in turn became material for sketches and paintings.
It’s an ongoing (maybe life-long!) project, partly inspired by the whole-body self-portraits of US painter Joan Semmel, where the focus begins to shift away from the face to the expression of the body in response to place.
Images, top to bottom: Mirror Selfie, Wynyard (acrylic on watercolour paper); Martin Place (acrylic on watercolour paper); back arch with cranes, North Sydney (pen drawing in sketchbook); pen and watercolour sketch in art journal
Pocket notebook drawings from the rare display of this marvellous and mysterious medieval (c. 1500) suite of tapestries at the Art Gallery of New South Wales, on loan from the Museé de Cluny. I have never encountered such a soulful unicorn!