The Beaten Track, 2018, oil on linen, 56.5 x 46.5 cm (detail). An icebreaker to get back into oil painting after a very long period working in acrylics. It was also nice to return to the uncanny bushland of my subconscious.
A woman stood on the back of a flatbed truck looking up at the sky, and the bush was all around her.
A scene, glimpsed through a bus window, that inspired the two paintings below. I will be donating the smaller, red work, Forest (Clare), to a fundraising auction in support of Alexi Keywan, a fellow artist suffering from terrible complications following surgery for endometriosis. There will be 150 works by different artists available.
Bids can be placed in person at the event in Sydney this Saturday from 5.00pm at Theodore Bruce Auctions, 6 Ralph St, Alexandria, or online via bit.do/reflexauctionbid, with more information available on Instagram and Facebook using the handle @ReFlexAuction.
In August this year I moved out of my studio of nine years, after the landlords had their development application approved. This three-storey warehouse opposite the Annandale Hotel in Stanmore, Sydney, was at different times home and work space to a number of artists including Elizabeth Day, Justin Trendall, Maria Cruz, Stephen Birch, Jacky Redgate, Brandt Lewis and India Zegan. Sculptor and painter Peter Hardy had been there for about 30 years. So we had a pretty good run, but it’s sad when these increasingly rare inner-city artists’ spaces go.